The hallowed halls of Bulange, Mengo, are at the center of a brewing cultural storm following the Katikkiro of Buganda’s recent endorsement of Jamaican Dancehall legend Spice.
The meeting, intended to drum up support for the Queen of Dancehall’s upcoming Ugandan performance, has drawn sharp criticism from veteran music critic Frank Ntambi. In a viral post on X, Ntambi pointed out a glaring irony: the Kingdom’s leadership, which has historically championed moral uprightness and rebuked local artists for "vulgarity," is now rolling out the red carpet for an artist whose brand is built on hyper-explicit content.
The Content Controversy
Ntambi pulled no punches, citing specific examples of Spice’s lyrical repertoire to highlight the disconnect. He noted that while local rappers like Gravity Omutujju and Pazzo have faced public reprimand or a "cold shoulder" from the Kingdom’s authorities for their suggestive Luganda wordplay, Spice’s catalog—featuring tracks like "My Boyfriend Dick" and lyrics such as "Pussy no battery out, so mi ole can skin out"—appears to have been given a pass.
"The contrast is striking," Ntambi wrote. "When it’s Spice, perhaps because she’s Jamaican who curses in patois, it suddenly seems acceptable."
A Case of "Patois Privilege"?

The core of the backlash centers on what many are calling "linguistic hypocrisy." Critics argue that because Spice’s lyrics are delivered in Jamaican Patois, the explicit nature of her message is often sanitized or ignored by officials who would otherwise condemn the same themes if spoken in Luganda.
This endorsement raises several uncomfortable questions for the Buganda Kingdom’s cultural gatekeepers:
Consistency: Why is the standard for "decency" different for international stars than for homegrown talent?
Cultural Preservation: Does endorsing an artist known for "dirty lyrics" contradict the Katikkiro’s frequent calls for the youth to uphold Obuntubulamu (integrity and dignity)?

Public Reaction
The reaction on social media has been swift, with many echoing Ntambi’s sentiment of "Gutusiinze Ayi Beene"—a traditional expression of being overwhelmed or defeated by a situation. While fans of the Jamaican star are eager for her show, the "Kelele" (noise) surrounding this meeting suggests that the Katikkiro may have underestimated the sensitivity of local artists who feel unfairly judged by the same institution.
As of now, the Kingdom has not commented on the specific lyrical content of the guest they hosted, but for critics like Ntambi, the damage to the Kingdom's "moral high ground" is already done.