Dancehall singer Vyper Ranking has broken his silence on the ongoing controversy surrounding the Uganda National Musicians Federation, revealing why he chose to distance himself from the initiative spearheaded by Eddy Kenzo.
In a candid revelation, Vyper dismissed the federation’s SACCO model, arguing that while the concept itself is promising, its current structure is deeply flawed and fails to accommodate the realities of many Ugandan musicians.
“The SACCO is not a bad idea, but the way it is structured makes it difficult for many artists, especially those who are not financially stable,” he explained.
Vyper highlighted the financial requirements as a major barrier, pointing out that artists are expected to save up to UGX 5 million in order to qualify for a UGX 10 million loan—something he believes excludes a large section of creatives who are still struggling to find their footing in the industry.
“Saving five million to borrow ten million doesn’t add up for me. At my level, that amount is just peanuts and cannot add real value,” he added.
His comments come at a time when the federation has been facing mounting scrutiny from sections of the music industry, with critics questioning its transparency, inclusivity, and overall impact on artists’ welfare.
Touching on the ongoing tensions between Eddy Kenzo and Ziza Bafana, Vyper took a more measured approach, urging both camps to resolve their differences amicably. While he acknowledged Bafana’s concerns around accountability, he cautioned that the delivery of such criticism matters just as much as the message itself.
“Bafana has a point, but the way he communicates it can undermine the message. There’s a need for respect and understanding,” he noted.
Vyper also addressed his recent low profile in the music scene, revealing that he has been quietly earning from his past music catalog rather than actively releasing new content or performing.
However, fans won’t have to wait much longer, as the singer hinted at a strong comeback with an upcoming track titled Ononzitamu Omuntu, which is expected to mark his return to the spotlight.
His remarks add another voice to the growing conversation around the future of Uganda’s music industry, as artists continue to demand structures that are more inclusive, practical, and beneficial to both rising and established talent.
